Showing posts with label arts. Show all posts
Showing posts with label arts. Show all posts

Ruthven Todd (1914 - 1978)

Space cats, Joan Miró, poetry and mushrooms


Born in Edinburgh, Ruthven Todd spent most of his colourful life outwith Scotland: in London, the USA and Spain. He was an artist, a member of the surrealist school of art, amateur botanist and novelist, but is best known as a poet and writer of children’s books.




The Space Cats serie:

"Everyone goes to the moon in stories these days - why not a cat? So we have the ambitious young cat, Flyball, going off in a rocket and having extraordinary adventures. He is a delight in his space suit - a descendant perhaps of that famous adventurer Puss in Boots.

On the moon he becomes, of course, a super-cat, rescuing his master and finding surprising things in a cave. Children will love Flyball's story - grown-ups, reading it aloud, will see in it a slight take-off on the popular science-fiction thread."


From: https://www.goodreads.com/series/52775-space-cat






Ruthven Todd and Joan Miró:

Ruthven was a member of the surrealist school of art and that put him in contact with artists like Salvador Dali, Dylan Thomad and Joan Miró. With Miró, Ruthven worked on some poetry .



1) "A Poem For Joan Miro Plate III" (Cramer Books 14), 1947
2) "The glass tower for Jane Perry" (from "The Ruthven Todd Album"), 1947
3) For Joan Miro (Drawing with Ruthven Todd Poem) 

More at: www.artsy.ne and www.annexgalleries.com




The botanic:



Taken from Ruthven Todd’s William Blake work.





Gala Contemplating the Mediterranean Sea (1976)

"... Which at Twenty Meters Becomes the Face of Abraham Lincoln" by Salvador Dalí.





"Gala Contemplating the Mediterranean Sea… demonstrates a fascination with perception and the mystery of identity. Dalí layers multiple optical scales to create two paintings in one. This painting is based on a photograph that Dalí first saw in the November, 1973 issue of Scientific American. Vol. 229. No.5.. The article, “The Recognition of Faces” by Leon D. Harmon, featured a reproduced low resolution (252 pixels) monochromatic photograph of the face of Abraham Lincoln from an American $5 bill. Harmon’s computer generated “coarse –scale” portrait demonstrated the low quantity of information needed to represent a recognizable individual face. The concept awaked Dalί’s old fascination with paranoia – specifically, how much of the reading of an image is from the viewer as distinct from the thing viewed. By squinting slightly and so flattening the depth of field, the portrait of Lincoln snaps into view displacing the figure of Gala. Once seen, the image appears at each return."


A hybrid image is an image that is perceived in one of two different ways, depending on viewing distance, based on the way humans process visual input. The same technic was applied in Leonardo da Vinci's work Mona Lisa, wich is the secret behind the most famous enigmatic smile of history.

Hybrid images (spatial frequencies) was scientificaly studied and developed by Aude Oliva and Philippe G. Schyns.

More about Aude Oliva
More about P. G. Schyns